selections by MI's Alysse Stepanian
for international screenings @ the
Global Art & Moving Images Awards
directed by Wilfried Agricola de Cologne of CologneOFF 2013



Oct/Nov 2013
CologneOFF 2013 Peru:
VideoBabel Festival (Cusco and Lima, Peru)

DETAILS COMING UP...


Feb 23 - March 30, 2013
Opening reception: Feb 23, 7-10 PM
CologneOFF 2013 USA
Gallery Aferro (Newark, New Jersey)




CologneOFF 2013 USA
Gallery Aferro
(Newark, New Jersey)

New Media Room
Feb 23 - March 30, 2013
Opening reception: Feb 23, 7-10 PM

73 Market Street
Newark, NJ 07102, USA

Video selected by MI's curator, Alysse Stepanian:
"Disturbdance" by Guli Silberstein (UK/Israel)
3:25 min, 2012, color, stereo, 16:9

by Alysse Stepanian:
Israeli-born, London-based artist Guli Silberstein uses documentary footage found online, depicting a young woman who tries to protect a group of civilians from the weapons of Israeli soldiers. This powerful image in “Disturbdance” shows the human side of war. One wonders whether the two soldiers are as affected by the image of this heroic woman, as are the viewers. (also see MI #19)

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BIO:
Guli Silberstein (b. 1969) is an Israeli-born, London-based video artist. He received a BA in Film & TV from Tel-Aviv University in 1997 and a MA in Media Studies, specializing in digital video and media art, from New School University, New York City, in 2000. Since then, he has been working with appropriation to produce video art works dealing with situations of war & terror, cognitive processes and electronic media, which have been extensively presented in festivals, museums and galleries including: Transmediale Berlin, Kassel Film and Video Festival, EMAF Osnabrueck Germany, ‘Human Frames' exhibition & DVD Lowave Paris, Museum on the Seam Jerusalem and the National Centre of Contemporary Art Moscow.

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Guli Silberstein (London/UK)


Disturbdance
3:25 min, 2012, color, stereo, 16:9, UK-Israel

ARTIST STATEMENT:
Like in a choreographed dance scene, on a little hill in a rough landscape, a young woman is trying to obstruct two armed soldiers from firing at a group of protesters in a village behind her. The surreal but real image, picked up from the multiplicity of news clips found online, is digitally processed, turning the video from journalistic to allegorical. The video moves to an abstract and estranged level, highlighting the unexpected interruption to a never-ending cycle of violence, reminding us of a human component which is still there; or is it?

“Truth to tell, the best weapon against myth is perhaps to mystify it in its turn, and to produce an artificial myth: and this reconstituted myth will in fact be a mythology”
Roland Barthes